SELECTED REVIEWS

Leon Golub,The Brooklyn Rail, 2018

“Endless Enigma: Eight Centuries of Fantastic Art,” Zwirner Gallery, The Brooklyn Rail, October, 2018

The Poetics of Fragility, Nicolás Grandi & Lata Mani, The Feminist Review, July 1, 2018

Documenta 14 Reader, The Brooklyn Rail, September 2017

Camille Henrot, Metro Pictures, Review: The Brooklyn Rail, December 9, 2015

“The Quay Brothers: “On Deciphering the Pharmacist’s Prescription for Lip-   Reading Puppets at MOMA,” The Brooklyn Rail, October 2012     

“NYC 1993: Experimental Jet Set, Trash and No Star,” at The New   Museum, The Brooklyn Rail, April 2012

Matthew Barney, “Facility of Decline,” Barbara Gladstone, September 9-October 2016, Art Agenda,

Mark Dion, “Library for The Birds of New York,” Art Agenda, April, 2016

Robert Smithson, Pop, James Cohan Gallery, Art Agenda, January 2016,

Erik Van Lieshout, “I Am in Heaven,” Anton Kern Gallery, Art Agenda, February 2015

Jean Luc Mylene, “Chaos,” Barbara Gladstone Gallery, Art Agenda, November 2014

“Mythic Creatures: Dragons, Unicorns, and Mermaids,” The Brooklyn Rail, Summer 2007.

Issey Miyake at Ace Gallery, Artbyte, May 2000

Eve Andrée Laramée, “A Permutational Unfolding,” MIT List Center for the Arts in Artbyte, October 1999

“Franklin Furnace Leaves for Cyberspace,” TriBeCa Trib, January 1997

Thundergulch: Art and Technology at 55 Broad Street. TriBeCa Trib, July 1997

·Subway Memories: Bruno Ulmer at 123-Watts Gallery. TriBeCa Trib, February 1997

In the Flow: Alternate Authoring Strategies: Franklin Furnace. TriBeCa Trib, January 1997

Voyeur’s Delight: An Interactive Exhibition: Franklin Furnace. TriBeCa Trib, November 1996.

“Follow Me Home,” directed by Peter Bratt. Film Review. The Village Voice, August 1996

“The Cyborg Handbook,ed. Chris Hables Gray (New York: Routledge, 1995), Bookforum, June, 1996

“Violent Persuasions: The Politics and Imagery of Terrorism,” ed. David Brown and Robert Merrill; “The Politics of Everyday Fear, “ed. and introduced by Brian Massumi. Bookforum, summer 1994

“Drear Diary,” essay/review of The Diary of Jack The Ripper, edited by Shirley Harrison, Bookforum, March 1994

“Other Images Appear, Merge, In That Museum That Is Perhaps Memory,” essay on Chris Marker’s Passage de L’Image show at the San Francisco Museum of Modern Art. Camerawork, Volume 19, Number 1. Spring, 1992

“Gangsters and Priests: City Boys and the Urban Cinema of Martin Scorsese, “ Review of City Boys: Humphrey Bogart, James Cagney, John Garfield, by Robert Sklar and Martin Scorsese: A Journey, by Mary Pat Kelly. San Francisco Review of Books. Summer 1992

“Tongues Untied,” directed by Marlon Riggs. Cineaste. Fall, 1990